Temple 2
The concrete statue of the temple is not a commercial product; it is a handcrafted work of art, with only one piece created and no other replicas to be made. The design of the concrete statue is inspired by the ancient forms of Iranian four-iwan architecture, as well as the maternal forms of ancient temples. The Parthian period is when the four-iwan structure emerged in Iran, and one of the most famous four-iwans is the one in Niasar near Kashan, which dates back to the time of Ardashir I of the Sasanian Empire.
This concrete statue, in terms of materials used and its form, reflects the antiquity and history of this architectural style, with intentional corrosion and a somewhat rough appearance applied by the creator. In designing this form, elements such as the dome and the four entrances of the four-iwan are not strictly adhered to, as the goal of constructing this structure was not merely to replicate the existing form. Instead, the design of the statue, with its non-curved and rigid lines, conveys a different message. The architect and creator of this form is Mohammad Katiri, an architect and architecture graduate
Side
Front
Back
One of the reasons for the non-repetition of this structure is the destruction of the mold used for its construction. After pouring the concrete, due to its complex form, there is no choice but to destroy the mold to remove this handcrafted piece. In future projects, new forms will be created, and there will be no attempt to replicate the past. This type of work is not merely a decorative item for ornamentation; rather, it can serve as a valuable artistic gift for an architect or artist.
The experience of constructing an architectural piece using concrete materials is a unique artistic endeavor that few have attempted. Although this material has a significant place in high-rise structures due to its strength, it can also hold a unique position in the art of sculpture. This characteristic is a strong point in choosing concrete as the primary material for construction. The lack of delicacy in the appearance and color of this material may not appeal to the general public, and those who choose to purchase this artwork are typically aware of its depth and value, as well as the difficulties involved in its design and mold-making